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How an iconic painting of Jesus as a white man was distributed around the world
By Emily McFarlan | Religion News Service - June 25, 2020
CHICAGO — The first time the Rev. Lettie Moses Carr saw Jesus depicted as black, she was in her 20s.
It felt “weird,” Carr said.
Until that moment, she had always thought Jesus was white.
At least that’s how he appeared when she was growing up. A copy of Warner E. Sallman’s “Head of Christ” painting hung in her home, depicting a gentle Jesus with blue eyes turned heavenward and dark blond hair cascading over his shoulders in waves.
The painting, which has been reproduced a billion times, came to define what the central figure of Christianity looked like for generations of Christians in the United States — and beyond.
For years, Sallman’s Jesus “represented the image of God,” said Carr, the director of ministry and administrative support staff at First Baptist Church of Glenarden in Maryland.
When she grew up and began to study the Bible on her own, she started to wonder about that painting and the message it sent. “It didn’t make sense that this picture was of this white guy,” she said.
Carr isn’t the first to question Sallman’s image of Jesus and the impact it’s had not only on theology but also on the wider culture. As protesters around the United States tear down statues of Confederate heroes and demand an accounting for the country’s long legacy of racism, some in the church are asking whether the time has come to cancel what is called white Jesus — including Sallman’s famed painting.